![]() ![]() Apply it to both television and the Internet. In this way, the media-metaphor of the Internet can be seen as quite distinct from that of television, and not simply an implication of television, which continues to be quite a popular medium.Įxplain the concept of a media-metaphor, as Postman defines it. It has allowed many to start personal blogs, which use language and propositions, and many websites are indeed text-based. However, if one were inclined, one could suggest that the Internet has somewhat returned us to a print-based culture. And it would not be difficult in a world of viral YouTube videos, downloadable media, and ever-expanding Internet punditry to find parallels to Postman's basic theory that our discourse is one based around entertainment. The rise of social media has enhanced the way that people can present themselves as commodities or defined personalities that ultimately entertain one another rather than provide accurate personal descriptions. The concept of decontextualized news – the "Now…this" mentality – is doubly true on the Internet, where one can gather triple the amount of information his or her parents could in half the time and yet not necessarily have any context in which to understand that information. However, its thesis can easily be applied to – if not elevated by – the age of the Internet. ![]() In what ways is Amusing Ourselves to Death still relevant to an age less defined by television than by the Internet? In what ways is it not relevant?Īs Andrew Postman notes in his introduction to the 20th anniversary edition of his father's book, there are some younger students who criticize the book as relevant only to an older generation.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |